CURSO DE VERÃO 2016 | DESCRIÇÃO DO CURSO
18 A 23 DE JULHO 2016 | 2ªFEIRA A SÁBADO | DAS 10h00 ÀS 18h00
METHODS, PROCESS AND PRACTICE OF SONGWRITING, COLLABORATION, PERFORMANCE AND BAND-LEADING
COM: TILLERY > REBECCA MARTIN, BECCA STEVENS & GRETCHEN PARLATO
Dirigido a: estudantes avançados e músicos profissionais > 16 anos.
Língua oficial: inglês
Nº de vagas: a definir
Nº de vagas para ouvintes: a definir
METHODS, PROCESS AND PRACTICE OF SONGWRITING, COLLABORATION, PERFORMANCE AND BAND-LEADING
COM: TILLERY > REBECCA MARTIN, BECCA STEVENS & GRETCHEN PARLATO
Dirigido a: estudantes avançados e músicos profissionais > 16 anos.
Língua oficial: inglês
Nº de vagas: a definir
Nº de vagas para ouvintes: a definir
IMPORTANT NOTICE: BECCA STEVENS BAND WILL BE PERFORMING AT THE SHAKESPEARE'S GLOBE IN LONDON, ON JULY 18.
FOR THAT REASON, BECCA STEVENS WILL ONLY BE ABLE TO START TEACHING IN THE AFTERNOON OF JULY 19.
Para liderar esta 6ª edição do Curso de Verão, a LJSS convidou Rebecca Martin, Gretchen Parlato e Becca Stevens, três das vocalistas/ compositoras mais aclamadas em Nova Iorque, conhecidas colectivamente como Tillery.
Neste curso os participantes terão a oportunidade de experimentar, discutir e aperfeiçoar, individualmente e em grupo, métodos e técnicas de composição, escrita e arranjos, band-leading e performance, com três das mais aclamadas cantoras/songwriters de Nova Iorque.
Propina para participantes: 270€ (valor isento de IVA; inclui almoço de 18 a 23 de Julho; inclui um bilhete para os três concertos da semana LJSS.)
Mais informações em CURSO DE VERÃO 2016 > COMO PARTICIPAR
Além da modalidade de participante, será possível assistir ao curso enquanto ouvinte.
Neste curso os participantes terão a oportunidade de experimentar, discutir e aperfeiçoar, individualmente e em grupo, métodos e técnicas de composição, escrita e arranjos, band-leading e performance, com três das mais aclamadas cantoras/songwriters de Nova Iorque.
Propina para participantes: 270€ (valor isento de IVA; inclui almoço de 18 a 23 de Julho; inclui um bilhete para os três concertos da semana LJSS.)
Mais informações em CURSO DE VERÃO 2016 > COMO PARTICIPAR
Além da modalidade de participante, será possível assistir ao curso enquanto ouvinte.
The three of us all share the same desire to connect with musicians in an intimate setting – with students who are dedicated to their craft.
Sharing ourselves in this manner is a very natural part of what we all do.
[Rebecca Martin]
Writing, learning, and composing is only half of the joy of music for me. Sharing these gifts makes up the other half.
I consider teaching to be the most direct and meaningful way that I can share music.
Performing is blissful, but the impression that can be made though teaching, both for the teacher and the student, has the potential to be far deeper.
[Becca Stevens]
Songwriting is a gift. It’s a gift to ourselves and to those who listen. In our workshop, we want to open up,
explore and share the process with other songwriters in our workshop,
connecting and learning from each other on all levels technical, spiritual, and emotional.
[Gretchen Parlato]
Sharing ourselves in this manner is a very natural part of what we all do.
[Rebecca Martin]
Writing, learning, and composing is only half of the joy of music for me. Sharing these gifts makes up the other half.
I consider teaching to be the most direct and meaningful way that I can share music.
Performing is blissful, but the impression that can be made though teaching, both for the teacher and the student, has the potential to be far deeper.
[Becca Stevens]
Songwriting is a gift. It’s a gift to ourselves and to those who listen. In our workshop, we want to open up,
explore and share the process with other songwriters in our workshop,
connecting and learning from each other on all levels technical, spiritual, and emotional.
[Gretchen Parlato]
METHODS, PROCESS AND PRACTICE OF SONGWRITING, COLLABORATION, PERFORMANCE AND BAND-LEADING
STRUCTURE AND CONTENTS OF THE COURSE PROPOSED BY TILLERY
MONDAY, JULY 18
MORNING (10h00 - 13h15)
Masterclass: Introductions, discussions, breaking into groups and strategies for the week leading up to the student concert.
AFTERNOON (14h30 - 18h00)
Ensemble practice
(work in small groups)
___________________________________
TUESDAY, JULY 19
MORNING (10h00 - 13h15)
Masterclass: Songwriting, choosing material and song arrangements.
AFTERNOON (14h30 - 18h00)
Ensemble practice
(work in small groups)
EVENING (22h30)
Jam Session @ Hot Clube de Portugal
___________________________________
WEDNESDAY, JULY 20
MORNING (10h00 - 13h15)
Masterclass: On band-leading and how to best accompany a singer as an instrumentalist.
AFTERNOON (14h30 - 18h00)
Ensemble practice
(work in small groups)
EVENING (22h00)
Jam Session @ Centro Cultural de Belém
___________________________________
THURSDAY, JULY 21
MORNING (10h00 - 13h15)
Masterclass: Career Management and Civic Engagement
AFTERNOON (14h30 - 18h00)
Ensemble practice
(work in small groups)
EVENING
Tillery Concert @ Pequeno Auditório CCB (21h00)
Jam Session @ Centro Cultural de Belém (22h00)
___________________________________
FRIDAY, JULY 22
MORNING (10h00 - 13h15)
Masterclass: Improvisation, vocal technique and song interpretation.
AFTERNOON (14h30 - 18h00)
Ensemble practice
(work in small groups)
EVENING (22h00)
Jam Session @ Centro Cultural de Belém
___________________________________
SATURDAY, JULY 23
MORNING (11h30 - 13h15)
Soundcheck and Rehearsals
AFTERNOON (14h30 - 18h00)
Rehearsals
EVENING (21h00)
Closing Concert
STRUCTURE AND CONTENTS OF THE COURSE PROPOSED BY TILLERY
MONDAY, JULY 18
MORNING (10h00 - 13h15)
Masterclass: Introductions, discussions, breaking into groups and strategies for the week leading up to the student concert.
AFTERNOON (14h30 - 18h00)
Ensemble practice
(work in small groups)
___________________________________
TUESDAY, JULY 19
MORNING (10h00 - 13h15)
Masterclass: Songwriting, choosing material and song arrangements.
AFTERNOON (14h30 - 18h00)
Ensemble practice
(work in small groups)
EVENING (22h30)
Jam Session @ Hot Clube de Portugal
___________________________________
WEDNESDAY, JULY 20
MORNING (10h00 - 13h15)
Masterclass: On band-leading and how to best accompany a singer as an instrumentalist.
AFTERNOON (14h30 - 18h00)
Ensemble practice
(work in small groups)
EVENING (22h00)
Jam Session @ Centro Cultural de Belém
___________________________________
THURSDAY, JULY 21
MORNING (10h00 - 13h15)
Masterclass: Career Management and Civic Engagement
AFTERNOON (14h30 - 18h00)
Ensemble practice
(work in small groups)
EVENING
Tillery Concert @ Pequeno Auditório CCB (21h00)
Jam Session @ Centro Cultural de Belém (22h00)
___________________________________
FRIDAY, JULY 22
MORNING (10h00 - 13h15)
Masterclass: Improvisation, vocal technique and song interpretation.
AFTERNOON (14h30 - 18h00)
Ensemble practice
(work in small groups)
EVENING (22h00)
Jam Session @ Centro Cultural de Belém
___________________________________
SATURDAY, JULY 23
MORNING (11h30 - 13h15)
Soundcheck and Rehearsals
AFTERNOON (14h30 - 18h00)
Rehearsals
EVENING (21h00)
Closing Concert
TILLERY | TESTEMUNHOS DE ALUNOS QUE PARTICIPARAM EM WORKSHOPS ANTERIORES
Tillery’s songwriting workshop was one of the greatest musical experiences I have ever had.
This group of three incredibly beautiful and talented women made the songwriting process more magical and reachable than ever before.
[Alicyn Yaffee]
The Stanford Jazz Workshop songwriting course was such an amazing and unusual opportunity to meet and share philosophies with likeminded songwriters.
To listen to the voices of Rebecca Martin, Gretchen Parlato and Becca Stevens was very inspiring
and helped me to come closer to finding my own voice through song.
[Helene Greenwood]
This group of three incredibly beautiful and talented women made the songwriting process more magical and reachable than ever before.
[Alicyn Yaffee]
The Stanford Jazz Workshop songwriting course was such an amazing and unusual opportunity to meet and share philosophies with likeminded songwriters.
To listen to the voices of Rebecca Martin, Gretchen Parlato and Becca Stevens was very inspiring
and helped me to come closer to finding my own voice through song.
[Helene Greenwood]